Gallery
Artworks, installations, concerts and shows made with ossia.
EarthBound Futures
EarthBound Futures
Show control for a live performance mixing wrestling, music and theatre
The Most Dangerous Games We (Might) Play
Éva B.Csonka, in collaboration with Pía Baltazar
© Agustina IsidoriReflet
Noukii (Anouk Ethier), Isabella Salas, Allison Moore, with RE-AK and Gradiant
Show logic and real-time generative imagery with custom generative models
In collaboration with SAT
Constant Points of Data
Indistinct voices over PA
ossia score with Ableton Live and Max/Jitter, for turntablism and elastic tempo manipulation in an audiovisual performance
flux opératoires
Philippe Vandal
Résilience des bois
Shabnam Zeraati, Gilnaz Arzpeyma, Zahra Nabavi
Five-projector video mapping, running on a single older Mac
In collaboration with SAT
Organism + Excitable Chaos / Organism in Turbulence
Navid Navab & Garnet Willis
Network communication between the pendulum and the computers with ossia-max
In collaboration with SAT
BioSynth light show
Erin Gee
LED / DMX lighting console in score, running headless on a Raspberry Pi, driven by biosignals
In collaboration with SAT
Our Bodies Know More Than We Do
Psʌnía (Pía Baltazar & Sunjeong Hwang)
Gestural interface: the two performers' movements drive sound and light
Some Light in the Crumbling
Pía Baltazar & Saba Alizadeh
Site-specific concert with loudspeakers spread through the church
The Ripples of Consequence
Pía Baltazar, performed by Audréanne Filion
Composition for the Table de Babel (Totem Contemporain)
On the Edge
Kasey Pocius
Visuals made with ossia, in an audiovisual work for video, T-Stick and surround sound
VIBH2O / VIB.E-MOTION
Fheel Concepts / Corinne Linder
Participatory circus performance driven by audience heart rates (Bluetooth sensors); network and sound in score
In collaboration with SAT
Ballets Résiduels
Brice Ammar-Khodja, in collaboration with Jean-Michaël Celerier
score on Raspberry Pi + ESP32 for sound, light and scent
[re]capture
Alice Jarry, Brice Ammar-Khodja, Jacqueline Beaumont, Jean-Michaël Celerier, Matthew Halpenny, Asa Perlman, Philippe Vandal
Cameras, video processing, lights, pumps and motors, run entirely by score on a Raspberry Pi
In collaboration with SAT
Assembly
Louise Cotter, David Naessens, Luke Naessens, Michelle Delea, David Stalling, Alan Meredith
Assombros
Iain Mott & Simone Reis
Pepper's ghost peepshow cabinets (first shown as Petit Godot): video and LED sequencing with score on a Raspberry Pi
Four For
Bravo Zoulou
SNN#2: Light/Space/Modulator
Alex Saunier & Chris Salter
Nebula
The Baltazars
Désoleil
Anne-Charlotte Finel
Dyew
Djeff
Quarrè
Pierre Cochard
Qui parle donc
Passerelle arts-sciences
Méta Chef d'Orchestre
Serge Delaubier
ALEAS
Compagnie EVER / Camille Rocailleux
Sonotact
Pascale Criton
Rain of Music
Josu Rekalde
Walking Down The Street
Lina Rahal & Jean-Marie Colin
Hip-hop dance; the whole show driven by score and controlled live with a Karlax
Le regard du hibou
The Baltazars
Heimat
Dennis Scheiba
HERMES v2
João Svidzinski
ParallelWorlds
LUCHS.US Team
Proteus
Gordon Delap
Nova
Nina Bouchard, Evan Montpellier / Serious Computer Group
More works
| Year | Work | Artists | Where | With ossia |
|---|---|---|---|---|
| 2026 | Calligraphic gesture lecture-performance | Sahar Homami & Pía Baltazar In collaboration with SAT |
Perte de Signal, Montréal | Qalam pressure sensor, IMU, tablet and Leap Motion processed in score to generate sound and image |
| 2023 | Dô d'eau | ENSATT sound and lighting students In collaboration with SAT |
ENSATT, Lyon | Spatialised sound, video and DMX lighting with score |
| pianotronics #3 | Alain Bonardi | score | ||
| Le Chant des Nanos | Collectif Genre (SCRIME / IdEx Arts et Sciences) | ossia score with Max4Live and Modul8 | ||
| Musée de la nature et de la chasse, Gien | Blue Yeti | libossia-QML | ||
| Interactive museum route, Chocolaterie Camille Bloch (Switzerland) | Blue Yeti | libossia-QML |


















![[re]capture by Alice Jarry, Brice Ammar-Khodja, Jacqueline Beaumont, Jean-Michaël Celerier, Matthew Halpenny, Asa Perlman, Philippe Vandal](/assets/gallery/recapture.webp)
































